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Schönberg in a New Perspective



on the 150th anniversary of the Schönberg celebrations



Arnold Schönberg was a groundbreaking composer of the 20th century known for his departure from traditional tonality. His innovative contributions include the development of atonal music and the twelve-tone technique, which redefined how pitch was organized in compositions. Schönberg's influence extends beyond his compositions to his role as a mentor, shaping the trajectory of modern and contemporary classical music.


In this programme, we aim to show through transcriptions that, despite his later departure from Romanticism, the early compositions serve as a foundation, illustrating Schoenberg's initial engagement with the expressive and harmonic language of late German Romanticism before he entered the realm of modernist innovation.



PROGRAM PLANS



Pure Schönberg



net duration cca. 52’



A. Schönberg/arr. M. Balogh:
Chamber Symphony No. 2 Op. 38


A. Schönberg:
​Ein Stelldichein


A. Schönberg/arr. A. Webern:
Chamber Symphony No. 1 Op. 9



Schönberg + Passacaglias



net duration cca. 50’



A. Schönberg:
​Ein Stelldichein


A.Webern/arr. I. Dani:
Passacaglia Op. 1


A. Webern/arr. M. Bán:
Langsamer Satz


A. Schönberg/arr. A. Webern: Chamber Symphony No. 1 Op. 9



Weiner + Schönberg



net duration cca. 70’ + intermission



L. Weiner/arr. B. Laczkó:

Carnival Op. 5


A. Schönberg/arr. M. Balogh: Chamber Symphony No. 2 Op. 38


A. Schönberg:

Ein Stelldichein

—----------------

L. Weiner/arr. M. Bán:

Passacaglia Op. 44


A. Schönberg/arr. A. Webern: Chamber Symphony No. 1 Op. 9



Ravel, Schönberg, Webern, Weiner



net duration cca. 63’ + intermission



A.Webern/arr. I. Dani:

Passacaglia Op. 1


M. Ravel/arr. P. Tornyai:

Ma mère l’Oye (Suite)


L. Weiner/arr. M. Bán:

Passacaglia Op. 44

—----------------

A. Schönberg/arr. A. Webern:

Chamber Symphony No. 1 Op. 9